Merrylin Cryptid Museum: Fact or Fiction?

Throughout human history, a multitude of mythical creatures have captured our imagination. Many of these fantastical beings, however, may have roots in misunderstandings of real animals, plants, and human observations. Could it be possible that some of these creatures exist as described in ancient legends and myths? This is the intriguing question posed by the Merrylin Cryptid Museum, a repository of what it claims to be the physical remnants of various extraordinary beings, from dragons to extraterrestrials. But are these exhibits genuine or simply echoes of past hoaxes?

An Extraordinary Collection

Curious Collection: Gnome, Cthulhu, and Dragon at the Merrylin Cryptid Museum. ( Source )

The origins of the Merrylin Cryptid Museum can be traced back to the 1960s, when a peculiar discovery was made in the basement of a mansion owned by Thomas Theodore Merrylin, a crypto-zoologist and an eccentric archaeologist. Hidden within boxes were what appeared to be the desiccated skeletal remains of mythical creatures, including mermaids, fairies, gnomes, dragons, vampires, and even extraterrestrials. Some of these specimens retained fragments of their original tissues, such as fur and scales.

Not all the exhibits are fantastical in nature. The museum also houses a few dinosaur specimens and other creatures that might pass as unusual animals. However, certain items, such as regalia connected to Cthulhu and the remnants of an ancient pharaoh, raise doubts about their authenticity, hinting at more incredible claims beyond the existence of mythical beings.

The Fiji Mermaid Hoax

Menes” – The Pharaoh with a Dark Secret: Vampyr King of Egypt in the Museum. ( Source )

The tale of the Fiji Mermaid exemplifies the deceptive history of mythical beings. In 1842, New York City witnessed the emergence of the Fiji Mermaid, presented by a man who identified himself as Dr. J. Griffin, an English naturalist affiliated with the “British Lyceum of Natural History.” He claimed to have discovered the mermaid near the Fiji Islands in the South Pacific. The story took a twist when P.T. Barnum, a renowned showman, sought to exhibit the mermaid and promoted its existence by providing woodcut depictions to the press, attributing them to Dr. Griffin’s discovery.

However, the fa├žade was soon exposed. It turned out that P.T. Barnum and Dr. Griffin had collaborated from the outset to perpetrate this hoax. Dr. Griffin was not a legitimate naturalist but a swindler named Levi Lyman. The Fiji Mermaid, far from being a mermaid, was a fabricated creature crafted by attaching a fish’s tail to a monkey’s torso. This peculiar fusion was a tradition in Japan and the East Indies, where half-monkey, half-fish figurines were created for religious purposes. The Fiji Mermaid likely belonged to this tradition.

The origins of the Fiji Mermaid can be traced back to a Japanese fisherman around 1810. It eventually found its way into the possession of a British sea captain named Samuel Barret Eades in 1822, courtesy of Dutch merchants with connections to the East Indies or Japan. Eades attempted to profit from the mermaid’s display, but his efforts were in vain. After his passing, it changed hands, ending up with showman Moses Kimball. P.T. Barnum, in fact, leased the Fiji Mermaid from Moses Kimball, promoting it as an authentic discovery made by Dr. Griffin.

Crafting Illusions Through Imagery

Tale of the Fiji Mermaid: From the Haus der Natur to P.T. Barnum’s Feejee Mermaid. ( Source ) ( Source )

Deceptions have evolved with time, transitioning from fabrications like the Fiji Mermaid to modern deceptions involving digital manipulation. In a photoshop contest, for example, human skeletons were digitally superimposed onto paleontological excavation sites, creating the illusion of giant human remains being unearthed.

These examples underscore the ease with which mythical creatures can be made to appear real in the modern age. The Merrylin Cryptid Museum’s enigmatic specimens invite the question: Could they be authentic? While we cannot dismiss them outright, numerous factors cast doubt on their credibility.

The Demand for Extraordinary Evidence

The Ceratopsid Dinosaur of the Merrylin Cryptid Museum. ( Source )

As the renowned astronomer Carl Sagan once emphasized, extraordinary claims necessitate extraordinary evidence. Consider the regalia linked to Ctulhu found in the museum. Its authenticity would imply that H.P. Lovecraft’s fiction was, in reality, a concealed historical account, a claim unsupported by any other evidence.

Furthermore, some specimens in the museum defy established biological and physical laws. If they were indeed real, it would force us to not only reevaluate our understanding of what is considered mythical but also revise our concepts of biology and natural history. This is particularly evident when examining the dinosaur specimens.

Take, for example, a specimen that resembles a lycanthrope, purportedly depicting a human in the process of transforming into a lycanthrope. However, the transformation process described would likely result in the individual’s demise, rendering its authenticity improbable.

At present, none of these specimens have undergone examination by expert teams. Therefore, we are left with speculation. Based on the available data, those advocating for the existence of these extraordinary creatures face the daunting task of providing extraordinary evidence.


The Merrylin Cryptid Museum beckons us into a realm where reality and myth intermingle. Whether it is a repository of authentic beings or a collection of elaborate hoaxes, the truth remains concealed, waiting to be unveiled. The line between fact and fiction blurs, and the mysteries of the museum continue to challenge our perceptions and beliefs.

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